The Gaze of the Listener: Shakespeare's Sonnet 128 and Early Modern Discourses of Music and Gender

The Gaze of the Listener: Shakespeare's Sonnet 128 and Early Modern Discourses of Music and Gender

Source :

• Music and Letters [ 0027-4224 ] ; 2008.

English descriptors

• Entity :
  • org : A Foundation for Literary Study, American University Studies, English Department of the University of Basle, Harvard University, Office of Christian Parents, Swiss National Science Foundation, University of Basle.
  • pers : Bruce R. Smith, Burton, C. G. Osgood, Christian Gebhard, Colin Burrow, Cornelia Hannah, David Z. Crookes, Divine Weekes, Dorothy Kempe, E. Greenlaw, Edmund Spenser, Edward Hubler, Eric Blom, Eugene P. Wright, Eve Kosofsky, F. J. Child, F. M. Padelford, Gillian C. Gill, Grace Harmony, Guillaume Du, Hal, Heather Dubrow, Heinrich Lausberg, Helen La Rue, Henry Peacham, Henry Smith, Ian Goode, J. B. Leishman, J. M. Robertson, James Melvill, James Melville, James Schiffer, James Winny, Jasper Mayne, Joel Fineman, John C. Stevens, John Gough, John Lyly, John Reynold, John Reynolds, Johnson, Joseph Davey, Joseph Pequigney, Josuah Sylvester, Kenneth Muir, Kenneth R. Bartlett, Konrad Eisenbichler, Laura Mulvey, Leslie C. Dunn, Lewis Wager, Linda Phyllis, Luce Irigaray, Man, Manuela Rossini, Margaret Cavendish, Marie Magdalene, Markus Marti, Mary Magdalene, Michael Friedman, Michael Levin, Morris Comegys, My Love, My Music, Nancy A. Jones, Nicholas Breton, Nicholas Wotton, P. R. Kitson, Paul Edmondson, Paul Innes, Paul Ramsey, Philip Martin, Philip Sidney, Philip W. Edwards, Phillip Stubbes, Queen Elizabeth, R. H. A. Robbins, Reginald John, Richard Hooker, Richard Leppert, Robert Barnett, Robert Burton, Robert Pitcairn, Robert Schwartz, Roger Ascham, Roland Barthes, Samuel Rowley, Sandra M. Gilbert, Stanley Welsh, Stephen Booth, Stephen Heath, Susan Gubar, Sylvia Zysset, Thomas Becon, Thomas Dekker, Thomas Elyot, Thomas Hoby, Thomas Middleton, Thomas Salter, Werner Bronnimann, William Browne, William Byrd, William Shakespeare.
  • place : Amsterdam, Baltimore, Berkeley, Columbia, Edinburgh, Ethnicity, Martin, Mulcaster, Stirling, Venice.
• Teeft :
  • Active subject, Balz engler, Body part, Chast mayd, Compleat gentleman, Complete sonnet, Courtship, Dancing chip, Dark lady, Early modern discourse, Early modern period, Edmund spenser, Elizabethan music, English renaissance, Eric blom, Female musician, Female performer, Fineman, First edition, First musicke, Gender, Gentle gait, Great sonnet, Happy mother, Heather dubrow, Henry peacham, James cleland, Joel fineman, Keyboard, Keyboard instrument, Linda phyllis austern, Lute, Male friend, Male instrument, Male listener, Male performance, Metaphor, Music letter, Musical metaphor, Musical performance, Musical practice, Musical skill, Musicke, Narrative cinema, Nicholas breton, Noble kinsman, Passive object, Paul innes, Poor lip, Real music, Regula hohl trillini, Richard mulcaster, Roland barthes, Saucy jack, Solitary woman player, Sonnet, Stephen booth, Striking example, Sweet finger, Sweet husband, Swete baite, Thomas dekker, Thomas elyot, Thomas middleton, Thomas salter, Virginal, Visual pleasure, William shakespeare, Wiry concord, Woman player, Young woman.

Abstract

• https://api.istex.fr/ark:/67375/HXZ-723JGFCZ-C/fulltext.pdf

Affiliations:

• Suisse

Links toward previous steps (curation, corpus...)

• to stream Main, to step Corpus: 000924
• to stream Main, to step Curation: 000866

Le document en format XML

Pour manipuler ce document sous Unix (Dilib)

EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/WilliamByrdV1/Data/Main/Exploration

HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000095 | SxmlIndent | more

Ou

HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000095 | SxmlIndent | more

Pour mettre un lien sur cette page dans le réseau Wicri

{{Explor lien
   |wiki=    Wicri/Musique
   |area=    WilliamByrdV1
   |flux=    Main
   |étape=   Exploration
   |type=    RBID
   |clé=     ISTEX:AED8971CC16CD077EC2524BE04F6DB275C5D2F13
   |texte=   The Gaze of the Listener: Shakespeare's Sonnet 128 and Early Modern Discourses of Music and Gender
}}

This area was generated with Dilib version V0.6.38. Data generation: Fri Feb 12 14:42:47 2021. Site generation: Fri Feb 12 15:48:38 2021